Author lisabraxton

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Holiday bazaars are a wonderful venue for writers

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booksDuring the weekend, I was a vendor at the holiday bazaar at my church. I rented a table and sold copies of anthologies I’ve been published in: Finding Mr. Right, More Christmas Moments, Inspire Forgiveness, and a few other volumes that fall into the inspirational category.

The wife of the retired pastor came by my table and was surprised when I told her that I was selling the books for $10 apiece. She thought I’d charge much more.

But I didn’t want to sell them to make a profit. By selling them for the amount I had to pay to purchase them, I was able to keep the price reasonable and get my words of inspiration into the hands of more people. That was my primary interest, through my writing, giving hope to people who are facing challenges.

A secondary benefit was that participating as a vendor helped me build an audience. me-and-booksEven though I’ve been a member of that church for more than 12 years, at least half a dozen people walked up to me and expressed surprise, saying they didn’t know I was a writer. When I told them about my novel, several asked when it would be coming out. Whenever I do get it published, I’ll have a group of supporters ready to purchase it.

In addition, some of the shoppers told me about opportunities to be a vendor at other events, which could serve as a vehicle for getting a whole new audience interested in my work.

So, writers, the next time the holidays come around, look into becoming a vendor. It could raise your profile in ways you didn’t imagine.

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Panelists at mystery novel conference explain why a Smart phone can put them in a panic

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I find it ironic that writers whose job it is to frighten their readers or at least make their pulses quicken with their plot twists and suspenseful moments sometimes find themselves facing the same emotional and physiological moments when dealing with crafting their mysteries and crime fiction.

dead-crow-logoWhile attending panel discussions at Mysterium: The Mystery Novel Conference, held recently on the campus of Wesleyan University, I was surprised to discover that some writers experience anxiety over technology. They are so afraid to deal with technology that they either avoid it by setting their novels in the pre-1985 era or they have whatever gadget the main character is using sabotaged by the end of the first page.

One crime novelist said that’s why it’s not unheard of for a main character who’s standing in an alley, looking down at a lifeless body to drop his or her cell phone in a puddle and then have the cell phone end up in a dumpster. “Because if you can Google everything,” she said, “the investigation can easily be solved.”

chris-with-the-dogThis got me wondering how mystery and thriller author Chris Knopf felt. He’s best known for his Sam Acquillo series. At the conference I attended his talk, titled “Writing Mysteries in the Age of Google.” He suggested that authors use technology in their stories as they would in real life. “If you’re going to be realistic, it has to be a seamless and a natural part of your story,” he said. “Don’t use a particular brand. Otherwise your books will only last a couple of years.” He said that Google is not something to be avoided, but embraced in degrees. “You have to deal with Google when the character is chris-knopf-book-coverresearching. I use Google for the basics and then I go talk to people. The same goes for my characters.” Knopf said that voicemail can be used as a device central to your plot. “I integrate voicemail into the story,” he said. “The dead man’s last words in a voicemail trigger the story.”

And I’m sure I’m not the only writer who thinks she can pick up hints on writing crime and law enforcement scenes from watching television. However, Knopf said, “Don’t rely on it. It doesn’t translate. I have a forensic analyst I consult. Everybody has to have a geek these days.”

And, of course, social media is too big to ignore, as are drones. “You don’t have to have a drone creep up to a house in a rural area,” he said. “New York can send a drone. They can be as tiny as a bug. They can fire weapons, shoot you with poison. There’s a lot of drama possible with drones.”

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I had a surprisingly good time at Mysterium: The Mystery Novel Conference

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keynote-photo-cropped

I’m not a mystery writer. I registered for Mysterium: The Mystery Novel Conference held at Wesleyan University in Middletown, Connecticut, because two of my friends had planned to go—one who’s written a mystery novel and another who’s planning to work on one—and I wanted to spend time with them because I don’t see them very often. Their plans fell through and I thought about skipping it, but I had already paid the $100 registration.

Before the speakers arrived, I heard fascinating snippets of conversation from people around me in which they talked about the cozy mysteries they’ll have coming out in the fall, the deadlines they’re facing and the lure of procrastination.

During the keynote, conference host and novelist Amy Bloom (pictured left) interviewed award-winning detective novelist Laura Lippman.

Lippman talked about the importance of place in her novels. “I love books that have a strong sense of place,” she said. “Place to me is integral. I don’t understand stories where there is no place.”

Lippman’s “place” is Baltimore. She worked for a number of years at the Baltimore Sun, alongside her father, and talked about writing books that take place in Baltimore and the Baltimore suburbs.

She said she especially finds inspiration when writing stories that she sets in the suburbs. “I write dark stories there,” she said. “This reflects my thoughts about the suburbs.”

Mysterium is billed as a celebration of readers and writers, combining pleasure, instruction from writers, intellectual stimulation and great fun. This description is accurate. I thought I would feel out of place not only because I was alone, but because my writing focuses on general fiction, essays, and journalism—not mystery or crime writing. But once I took my seat at the keynote presentation, I felt at ease and the discussions were applicable to my own writing.

 

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I heard from the editors of the New York Times today and the news wasn’t good. Or was it?

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The New York Times website states that the editors of the “Modern Love” column feature, which appears in the Sunday edition of the newspaper are looking for deeply personal essays about contemporary relationships. Ideally, essays spring from some central dilemma the writer has faced in his or her life.

I thought an essay I wrote about a challenge my husband and I faced after we introduced a pet into our household would have wowed the editors enough to accept it for publication. However, I got a generic rejection e-mail this afternoon.

Initially, I felt disappointed. But then I reminded myself that the New York Times is the nation’s newspaper of record. The Sunday paper has a circulation of 1.4 million. The editors probably get hundreds of submissions to the “Modern Love” column every week, which makes the odds of getting published very low.

And then, of course there is the comforting cliché that when one door closes another opens. A few years ago, I sent a different essay to “Modern Love.” It was called short-distance-romance and got rejected, I turned around and sent it to Chicken Soup for the Soul and it got accepted. The essay has a much longer shelf life in Chicken Soul because it’s in a book, as opposed to being on a sheet of news print. So sometimes an initial rejection isn’t a bad thing.

So what has been your experience? Has an initial rejection led you to submit the same work to another outlet, leading to satisfaction with the placement?

I heard from the editors of the New York Times today and the news wasn’t good. Or was it?

lisabraxton Leave a comment

The New York Times website states that the editors of the “Modern Love” column feature, which appears in the Sunday edition of the newspaper are looking for deeply personal essays about contemporary relationships. Ideally, essays spring from some central dilemma the writer has faced in his or her life.

I thought an essay I wrote about a challenge my husband and I faced after we introduced a pet into our household would have wowed the editors enough to accept it for publication. However, I got a generic rejection e-mail this afternoon.

Initially, I felt disappointed. But then I reminded myself that the New York Times is the nation’s newspaper of record. The Sunday paper has a circulation of 1.4 million. The editors probably get hundreds of submissions to the “Modern Love” column every week, which makes the odds of getting published very low.

And then, of course there is the comforting cliché that when one door closes another opens. A few years ago, I sent a different essay to “Modern Love.” It was called short-distance-romance and got rejected, I turned around and sent it to Chicken Soup for the Soul and it got accepted. The essay has a much longer shelf life in Chicken Soul because it’s in a book, as opposed to being on a sheet of news print. So sometimes an initial rejection isn’t a bad thing.

So what has been your experience? Has an initial rejection by a top-tier publication led you to submit the same work to another outlet, leading to satisfaction with the placement?

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The results on my poll about self-publishing might surprise you

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Last week on this blog I posed a question to find out if people thought that self-publishing was a viable option for getting published and getting a decent level of interest from readers. It turns out that most people responding to my poll don’t feel that self-publishing has the stigma that it once did and that maintaining creative control is an important benefit of self-publishing.

Poll Results

What would make you decide to self-publish your novel

Answer Votes Percent
The desire to maintain editorial and artistic control 40%  
The idea that self-published books are now as respected as traditionally published books 40%  
The desire to get the book published on a quicker timetable 20%  
Lack of interest from agents and/or publishers 0%  

Maybe self-publishing is the way to go

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When I was invited to participate in yesterday’s Local Author Book Fair hosted by the Brookline Public Library in Brookline, Massachusetts, I had visions of readers standing in line, waiting to purchase copies of the anthologies that include my essays. Oh, how naïve I was! It didn’t turn out that way.

The weather was beautiful, sunny, in the mid 70s. We authors–about a half-dozen of us–set up our books on the tables we were assigned on the library lawn.

logodrdeedeesmI sold just three books, benefiting from the generosity of members of my church. The one author whose table got lots of attention was Dr. Oneeka Williams, a surgeon, and creator of the Dr. Dee Dee Dynamo series of children’s books. It seems that on nice Saturday afternoons, a lot of young moms and dads like to bring the kids to the library. The Dee Dee Dynamo table was, therefore, in a target-rich environment.

faint-promise-of-rainAs I introduced myself to the other exhibitors during the event, I began to realize that they all had one thing in common—they were all self-published. I’ve been hesitant to self-publish my novel. I figured that the reading world wouldn’t take me seriously. But after conversations with the two authors at the table next to me–Anjali Mitter Duva, author of Faint Promise of Rain, and Connie Hertzberg Mayo, author of The Island of Worthy Boys—I’m beginning to think about reconsidering.

the-island-of-worthy-boys

The artwork for both of their books is gorgeous. I understand that the company that published them did arrange a book tour. And even though they’ve had to do just about all of the marketing for their novels, in the current traditional publishing climate authors have to do much of the promotion and marketing themselves anyway.

So what do you think? Is self-publishing worth considering?

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Writers: Here’s a ‘novel’ way to market your book

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Book readers live an average of two years longer that those who don’t read at all. That’s the finding of a study out of Yale University. Researchers examined the reading habits of 3,635 people over the age of 50 and found that the ones who read up to 3 ½  hours a week were 17 percent less likely to die over 12 years of follow up. This was even after variables, such as health, education, and income, were taken into account.

It’s not clear why there’s the “reading advantage,” but researchers suggest delving into novels promotes cognitive processes, such as empathy and emotional intelligence, which can boost longevity.

So the next time you give a book talk, speech, or book launch use the line, “Read my novel. It could add years to your life!” It could make your book sales increase dramatically.

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Anthology featuring my essay is now available on Amazon.com

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Finding Mr. Right, an anthology featuring one of my essays, “Short Distance Romance,” is now available on the publisher’s website, as well as on amazon.com. It will be available on Kindle later in the year. Here’s the description of the book: Whether the quest for a soul mate is currently a work in progress or a happily done deal, this breezy beach read featuring the true stories of 20 accomplished authors will resonate with women of any age who have ever loved, lost and loved again.

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26 Amazing Writing Residencies You Can Apply for

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I dream of a quiet place completely free from distraction where I can take nature walks, rest, and work on my novel, essays, and other writings. One day I’ll get there, when I can take the time off from work and cover the cost. Meanwhile, here’s a list of writing residencies you may find of interest. Pictured above is a photo from the Breadloaf Writers Conference in Vermont, one that I hope to attend in the future.

News from the editors of “Finding Mr. Right” anthology, featuring my essay

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What do personality makeovers, church pews and Prince William have in common? Each of these elements figures into the true storylines of our top three essayists. First Place winner Karen Cole, Second Place winner Lisa Braxton, and Third Place winner Mehk Vijayaragavan took time for short interviews with the editors this week and their replies can be found at https://findingmrrightsite.wordpress.com/

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If only I had one of those wireless activity wristbands for my writing routine

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I’ve been into fitness for a long time. Over the years I’ve taken aerobics—both conventional and step—kickbox karate, indoor cycling, earned my diploma in ice skating from the Bay State Skating School, and played tennis and racquetball. So when my co-workers encouraged me to try the Fitbit® wireless activity band, I didn’t hesitate.

The Fitbit is a high-performance wristband that gives automatic, continuous heart Fitbit Charge Imagerate and activity tracking right on your wrist. You can see your heart rate all day and during workouts to get more accurate calorie burn, reach target workout intensity and maximize training time. It tracks steps, distance, floors climbed and sleep quality and syncs to a smartphone and computer so you can monitor your trends and get the motivation you need to push yourself further—every step, every beat, every day.

I have found that by merely wearing the Fitbit, I make more of an effort to reach my 10,000 steps a day, walking further at work to the copy machine and coffee break room. I now take the stairs when I could easily hop in the elevator.

If I had a Fitbit for writing, I could track my word count per day. Let’s say I established the goal of writing 750 words. I could check my Fitbit toward the end of the day and if I’m falling short of my goal, I could set aside time before going to bed to get my words in, similar to how I walk the corridors of my condo complex some late evenings to squeeze in more steps.

My co-workers and I participate in something called “Workweek Hustle.” We Trophysynchronize our Fitbits and participate in a contest to see who completes the most steps by the end of the week. The winner is bestowed a trophy (I’ve won it several times so far and have proudly pictured it here!). It’s a good-natured competition. No one takes it too seriously. (Did I mention that I’ve won it several times?) But it is a reminder that we are all in this together and if I want to surge ahead of my opponents and be the winner, then I need to push myself a little more.

In the “Fitbit for Writers” the Workweek Hustle would take the form of a writing group. A half dozen of us writers would sync our Fitbits, sharing our disappointments when our manuscripts are rejected, and cheering each other on when we have publishing successes. The “Fitbit for Writers” could encourage a friendly competition with my peers over daily word count, completion of stories, and number of manuscript submissions made to literary agents, literary presses, anthologies, and journals.

Fitbit has helped improve my workout routine and if the company decides to one day retool its product and create a writer’s version, it could help me get my unpublished manuscript on the bookstore shelves with the other novels. Meanwhile, I’m thinking that I need to push myself away from the computer and walk a couple of laps around the condo complex. My Fitbit is telling me that co-worker Karen is on my heels, only 450 steps behind me. And Amanda is about to pull into first place. We’ve been neck and neck for days. I’d better get to stepping!