Author lisabraxton

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Why perseverance pays off when trying to get published

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At long last, my essay, “For Better, for Worse,” is being published. I say, “at long last,” because I submitted the essay to various publications for about two years and was giving up hope in finding a home for it when I heard from Whispering Angel Books.

Whispering Angel Books is dedicated to publishing uplifting and inspirational stories and poetry for its readers while donating a portion of its book sales to charities promoting physical, emotional and spiritual healing.

My essay, about finding out just after getting engaged that one of my kidneys was no longer functioning and how my then fiancé and now husband and I worked through the situation, is published in “Soul Survivors: From Trauma to Triumph,” a collection of inspiring personal essays and poems celebrating the resilience of the human spirit over pain, trauma and tragedy. A few weeks ago, the editor contacted me to show me a proof of my essay and check for accuracy my bio that will appear in the book.

The Whispering Angel website states about the collection: “These pieces, written by some of today’s most prolific writers, will touch your heart, soothe your soul, and restore your faith that you can overcome and survive life’s darkest moments, emerging with strength, courage, hope, tenacity and even beauty.” I feel honored that my essay is being included in this volume.

It took me longer than I anticipated to get the essay published, but I guess the waiting was important so that the essay could end up in the right home.

 

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Book Review: What to Do Before Your Book Launch

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I’ve never had a book direct me to put it down and take care of an important matter  before continuing to read. That is, until I came across What to Do Before Your Book Launch. The guidebook for traditionally published authors was written by M.J. Rose, an internationally bestselling author of dozens of novels and internationally bestselling novelist Randy Susan Meyers, who I’ve had the pleasure of meeting on a couple of occasions.

Seriously, I was reading the book and was told to put the book down THAT INSTANTBook Image and secure my domain name. I already had LisaBraxton.com—that’ the domain for this website—but I didn’t have “dot org” or the domain name that is the working title of my manuscript. I did what the book said, stopped what I was doing, and secured the other domain names.

The authors of What to Do outlined a number of other things writer need to take care of or at least be involved in because of changes going on in the publishing world.

They point out that 10,000 novels hit the shelves each year. The price of books has gone up 20%, while review space has declined 20-50%. Fewer magazines and television shows feature authors. Publishers can only support a very small percentage of the books they publish and more than half of debut authors never publish a second novel.

So what does an author do in light of these changes and shifts in the business of books and media? Take an active role in publicity and marketing of the book.

What to Do tells you how to build websites, gives pointers on taking a publicity shot and offers the pros and cons of blogging, producing a book trailer, and a newsletter.

What to Do Before Your Book Launch is a “must-read” for any writer looking to get a book published. It’s a quick read—only 88 pages—that can be referred to over and over again during the publication process.

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Writing a novel calls for total immersion, sometimes with fruitful results

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When I was a journalist in both newspapers and television, I embraced “immersion journalism,” reporting on a story by participating in it, immersing myself in the situations and the people involved.

As a result, I once climbed into firefighter turnout gear and crawled around on my stomach in a “smoky” building to search for victims using a thermal imaging camera, floated around in an icy pond until first responders threw me a rope and pulled me out, rode around with a state trooper stopping motorists for DWI one New Year’s Eve, and strapped on roller skates and took a few whirls for a story about a roller rink that had been in a community since the 1930s and was closing down.

I believe that immersion techniques also work well with novel writing. Author Heather Sellers writes about this in her book, Chapter after Chapter: Discover the Dedication and Focus you Need to Write the Book of Your Dreams. “If you don’t surround yourself with your book, you risk it creeping away from you—or you unintentionally creep away from it,” she says.

grilled_chicken240To avoid the drift that Sellers refers to and bring authenticity to my story, I recently borrowed from the library a copy of Yolele! Recipes from the Heart of Senegal, a cookbook written by restaurateur and Senegalese native Pierre Thiam. I was particularly interested in the recipe for Yassa Ginaar, grilled chicken with lime-onion sauce.

My unpublished novel features a Senegalese restaurant owner who makes delicious meals for the customers in the immigrant community where he lives. One of his specialties happens to be Yassa Ginaar. I thought it would be neat to prepare the recipe, just as my character would.

The recipe calls for juicing 10 limes and grating the zest from three of them. I never knew how hard it would be to peel limes. Their skin is very thin, far different from lemons. Also I had to cut up five onions, julienne style, something I had never done before.  I also had to get my hands on a habenero pepper, a tiny pepper that I had never seen before in the supermarket, but apparently has been there for quite some time.

After rubbing in the ingredients into the chicken I had to let it marinade for a few hours. Once I had my husband try it. I could tell by the look on his face that something was wrong. The taste of lime was overpowering. I had miscalculated the proportions. The meal was a disaster. I tried to save it by soaking the food in cooked white rice (my husband’s idea) but the next day the dish was as sour as it was the first. However, the effort wasn’t a total loss. I gained an appreciation for what goes into Senegalese cooking, particularly in Yaasa Ginaar. I gained more of an appreciation for the restaurateur in my novel and the effort he takes to create savory meals or the public. I kept this in mind as I revised the scene in which he prepares this (usually) tasty dish.

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Women’s National Book Association Boston chapter “Author’s Night” Puts Spotlight on Writers

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On Thursday, May 5 at 7 p.m. five authors will have the opportunity to give short readings from their published works during “Author’s Night” at the Boston Public logo-with-color-behind-it-260x150Library. The event, to be held in the library’s Commonwealth Salon, is being hosted by the Boston Chapter of the Women’s National Book Association. The event, which will showcase five members of the chapter, is free and open to the public.

Events like this, hosted across the country by writing centers, libraries, university creative writing programs, and writers unions and associations, give writers

  • A reason to step away momentarily from the isolation of the laptop
  • An avenue for introducing their work to the public
  • An opportunity to practice speaking before an audience

If you’re in the Boston area, and love the written word, check out the event May 5th. If you’re outside of Boston there’s bound to be a writing institution planning a similar kind of event.

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Lessons from an American Idol contestant

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I’m at the hair salon and a young woman walks in who has just returned from Hollywood. She says she had a tryout on American Idol and got on the show. However, she didn’t get as far as she had hoped.

As she’s waiting for the manicurist to start her appointment, the salon owner congratulates her and asks if LOGO MICshe was disappointed. She says, “No. I learned a lot being on the show. Now I know where I need to improve.”

I liked the upbeat attitude of this young singer. She felt she’d had a victory in spite of not winning.

This same philosophy can be adopted by writers when getting feedback on their work. I recently joined a writing group that I found through meetup.com. The members include a screenwriter, horror fiction writer, poets, writers of period dramas, and bloggers.

Each week I get feedback from them on excerpts of my novel. As I check my email account on a regular basis for responses from publishers to my novel—which has included rejections or no response at all—I can feel good that the feedback I’m getting from the group will make the manuscript stronger and a more viable work for publication.

 

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What I learned onstage at the comedy club

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I’m not a comedian. I don’t write jokes and I’m not especially funny. Yet, on a recent weeknight I was onstage before an audience of 150 people at Laugh Boston, one of Boston’s most popular comedy clubs. With a level of confidence that surprised me, I stood in front of the mike under the bright lights. As I spoke, I heard a few titters here and there, then some chuckles, then clusters of people actually laughing out loud.

I’d won over my audience. My confidence was building. What’s great about Laugh Boston is that you Laugh Bostondon’t have to be a standup comedian to get onstage. You just have to have a story that fits the designated theme and know how to tell it.

The Moth storytelling is held at Laugh Boston once a month. There’s probably a The Moth storytelling near you. Events are held in major cities all over the country and also in London, Dublin, Melbourne, and Sydney. Here’s how it works. Ten audience members per event get to come onstage and tell a 5 minute story. Then audience members who volunteer to evaluate the presentations, judge them.

THE MOTH IMAGE

In an earlier blog post, I stated that I thought The Moth offered a great opportunity for writers to practice before an audience, a “dress rehearsal” for when they would do an author reading. But I also discovered that The Moth offers writers the opportunity to find out whether what they’ve written has audience appeal.

Cat bookWhen I was called onstage I told a story I had written in essay form for an online class I’m taking with Creative Nonfiction, out of Pittsburgh. The story is about how our cat, Savannah, bit my husband, and we considered getting rid of her. The essay is just under 3,000 words. For The Moth, I boiled the story down, emphasizing the dramatic parts and then back-filling with explanation before bringing the story back to the presents and its dramatic conclusion.

From the audience response, I knew that my story was relatable. People became emotionally invested in it. So, if you’ve got an essay or piece of creative nonfiction you’ve written and want to test it on an audience, come up with a storytelling version and get onstage at The Moth.

 

The story of a writer determined to publish a novel before he died

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I find this essay in Salon by Leland Cheuk, I Wanted to Publish a Novel Before I Died, heartbreaking and insightful. It follows the highs and lows of his writing career, along with his treatment for cancer. His determination is inspiring.

 

I Need a Support Group (and Maybe You Do Too!)

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I was scanning the inbox of my Hotmail account the other day, sMusical Noteped down the ‘subject’ lines of my emails and made an abrupt stop when I saw the words I’d been waiting months to see: “2016 Nicholas Schaffner Award.” My pulse quickened. My palms got clammy. I steeled myself.

Months earlier, I’d submitted my manuscript to the Schaffner Award for Music and Literature. The contest rules specify that the award would be given to the writer of an unpublished manuscript who submits a literary work in the English language–fiction, poetry, nonfiction–that deals with the subject of music. I thought my unpublished novel, which features an African drummer and has him performing in the story, would no doubt bubble to the top of the entries.

Last month, I got an electronic newsletter from the publisher, Tim Schaffner, stating that entries came in from 22 states in all genres–poetry, short fiction, novels, memoirs. “Due to the last-minute deluge of manuscripts, we will need to extend our award winner announcement until the end of February,” the newsletter read. Twenty-two states? I tried to do a quick calculation on how many entries that would be, how many manuscripts I’d have to beat out to win.

But then I got the email the other day. I thought it was a little early to hear from the contest again since the end of February was still weeks away. I soon found out why it was early. I took a deep breath and opened the email. It didn’t have the announcement of the winner of the contest. It had the names of the six finalists and MY NAME WAS NOT AMONG THEM!!!Retreat Manuscript

After I read the email, my husband found me in bed, which is uncharacteristic for me since it was only about 6:30 p.m. After my 9 to 5 I’m usually off to the gym for boxing class or indoor cycling with a little treadmill action and free weights topped off with 10-minutes on the rowing machine.

My husband sat down next to me on the bed. Our cat, Savannah, hopped on the bed too Cat blogand took a seat. We are her entertainment.

“I’m so sorry about this, Lisa. I know it’s disappointing,” Alex said. What can I do to help?”

I had an idea. I bolted upright. “I know,” I said. “You can read my manuscript again. Maybe there’s something in the writing that I missed. Maybe one of the characters needs to be tweaked.”

He said nothing. But I was fairly sure one of his eyelids was beginning to twitch. He read all 345 pages of my novel a few months ago. Maybe he wasn’t looking forward to the prospect of spending a few more weeks with my characters all over again. Maybe he was thinking about all of the heated “discussions” we’d had about the point of view I had chosen, the colloquialisms I employed, or the voice of the male characters.

“Maybe you can join a writer’s group,” he said finally. “That way you can talk to people who are going through the same things you’re going through. It’ll kind of be like a support group.”

So here I am at the main branch library waiting for the start of a writer’s group I found on meetup.com. I’ve gotten some support already. One member of the group emailed me the name of a book designed to help writers not give up hope in the face of rejection. I’ve never been part of a writing group. I’ll let you know what I think in an upcoming blog post.

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The Sun magazine shines the spotlight on published essays

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I was thrilled when my essay was published in the “Reader’s Write” section of The Sun Magazine last year in the June issue. The topic was “doors.” I just found out that there’s a women’s project being organized by a local community theater grouThe Sun Magazine Logop in Pennsylvania. The Sun magazine editors have asked for my permission to have my essay be among the ones included in the informal play audition to be held in a few weeks. This project provides not only acting roles for women but gives my essay exposure to a whole new audience. This is an unexpected, and welcomed benefit of getting my piece published.

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Why do I keep bumping into Andre Dubus?

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He was sitting at one of those little two-seater tables, chatting with a friend in the lounge area of the Boston Convention and Exhibition Center when I spotted him the other day—novelist and short story writer Andre Dubus, finalist for the National Book Award for House of Sand and Fog, which was later adapted for film and nominated for an Academy Award, Guggenheim Fellow, Oprah Book Club pick, and National Book Award finalist.

I instantly new it was him as I saw him out of the corner of my eye as I was passing by because of the hair. It’s distinctive: dark, soft waves with a swirl of grey at the center near the hairline that looked as if it could have been applied with a painter’s brush. He was sporting that rustic, Ralph Lauren look—the pointy cowboy boots, boot-cut jeans, open-collared shirt, dark, fitted blazer.

He stood up as I approached his table. I started to introduce myself, but I didn’t have to. “I know who you are.” He sounded ebullient. “You’re the novelist.”

“Yes, I am,” I replied, relieved that I didn’t have to explain myself.

He shook my hand. “Do I owe you an email?” he continued.

My mind raced back to the times I tried to get in touch with him, when I sent him updates about my manuscript. “Yes,” I said. “You probably do owe me a few emails, but that’s okay.”

I had been hanging around the convention center, waiting for a friend who was in the exhibit hall at the American Library Association mid-winter meeting. I had no idea that Dubus was one of the speakers. Before we parted, I handed him a copy of the Christmas Moments anthology that features one of my stories.

The first time I met him was about eight years ago when the nonprofit I work for invited him in for our organization-wide book club meeting. He read from House of Sand and Fog. At the time, I’d been writing short stories and hoped to write a novel. I told him so when he signed my copy of his book. He wished me luck and inscribed the book with “Good luck with your writing.”

Then, a few years later, I attended an author event at Newton Free Library to listen to him read from his memoir, Townie. Afterward, he seemed delighted when I told him that I’d completed my MFA in creative writing at Southern New Hampshire University and mentioned that he knew novelist Diane Les Bequets, one of my mentors who was running the program. He encouraged me to keep writing.

A couple of years later, not long after I’d gotten married and finished revising my novel, I showed up at Newtonville Books with my husband. I could feel the energy in the bookstore as Dubus’s fans awaited his arrival. They filled most of the seats but left a few up front. My husband and I didn’t have much choice but to sit there, front and center, with the lectern not much more than a foot away.

Dubus walked in and after he was introduced, opened a page in his story collection, Dirty Love. He adjusted his glasses, and as he was about to open his mouth to read the first line, he looked up at me and said, “I know you. We met before.”

Later, he signed my book and we had a nice chat.

Why do I keep bumping into Andre Dubus? Sometimes it’s by accident. A couple of times it was planned. When I’ve been around him I’ve wished that his stature as a novelist and memoirist could somehow rub off on me, opening doors for me in the world of publishing. But, the more realistic part of me simply enjoys the delightful and inspirational moments I’ve had with one of my favorite authors.

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Enhance your public readings with THE MOTH

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When my friend, Sue, asked me to join her buddies Rudy and Amy at THE MOTH story slam, held at Laugh Boston comedy venue this week, I didn’t hesitate. As a writer who tells stories, both fictional and true on the printed page, I was curious to see how stories are told in a story slam. Moth events are held in major cities around the country. There’s also THE MOTH radio hour at a station near you.

Laugh Boston

Here’s how it works. THE MOTH provides a theme for the evening’s event. When I attended, the theme was “dedication.” People sign up after they arrive to tell their stories. Only 10 are chosen per event. They are given 5 minutes to tell their story. If they go beyond 6 minutes, they must leave the stage. One of the organizers goes table-to-table asking people to volunteer as judges.

After we got our seats and ordered drinks, and the storytelling began, it didn’t take long for me to recognize the difference between telling a story and giving a reading. Storytelling is done without notes or pages of text so that we audience members could better connect with the speaker. The storytellers were animated, gesturing with their hands and arms, physically acting out portions of their stories. They changed pitch as they spoke, paused to let the audience laugh, and got emotional as they talked. They truly connected with the audience.

Participating in a story slam may not make for better writers, but could make writers, better speakers. So many writers just aren’t that comfortable in front of a microphone.

I picked up a few other tips. Wes Hazard, a local standup comedian, was picked to tellWES HAZARD a story. His was about gastrointestinal problems that left him flat on his back in both a men’s and women’s bathroom in a comedy club venue. At the close of THE MOTH, there were clusters of people wanting to meet him and talk to him about his horrible experience. Wes was smart. He was armed with postcards with details of his upcoming comedy performances listed and his website. There’s no doubt that he used telling his story at THE MOTH to market his standup. Writers can use events like THE MOTH to increase their fan base and readership.

Sue, Amy, and I did our best to cheer on Rudy when he got on stage and told his story, which, in fact, captivated the audience. However, he didn’t get the top score from the judges. We couldn’t believe it. Some of THE MOTH staff told him as he left the stage that his story was the best. They didn’t agree with the judges. It reminds me of the responses I get from publications I send my stories to. I can get a bunch of rejections and then a publication will come along and the editor will say it’s just what she was looking for. It’s all so subjective.

 

‘Tis the Season to Reflect on Publishing Successes

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I’ve been feeling a little down this holiday season. I spent the past year revising my unpublished novel, had a former co-worker who runs an editing service proofread and copyedit it and have been sending it out to agents. So far, I’ve gotten a few rejections, some advice for tweaking it, but no nibbles.

But I have to remind myself of the successes I’ve had this year. I was honored when the ladies of GBS-NCNW asked me to speak at their membership tea in September. I read “Short LISA PHOTO READINGDistance Romance,” about how I met my husband in the most unlikely place. The story was published in Chicken Soup for the Soul: The Dating Game.

Not long after that, I got some good news from the Editor of The Northwestern, my alumni magazine, that they would publish my essay, “Trust Yourself,” about volunteering at my church and my friendship with one of my little first graders.

As the holiday season got underway, I got good news again. And again. And again. Writer’s Digest magazine gave me an Writers Digesthonorable mention in its 84th annual writing competition. The mention was for an essay I wrote centering on a troubling medical diagnosis I received.

Grace Publishing, a publisher of Christian publications, accepted my essay, “Sunshine for Christmas,” and included it in it More Christmas Moments anthology.

Forgiveness Book ImageI had sent an essay I titled, “The World I Didn’t Know Existed,” to Inspire Christian Writers earlier in the year. Just in time for Christmas, Inspire Forgiveness was published, including my essay.

There was a time when I struggled to get short pieces published, but that’s beginning to change. I need to remind myself of this as I go through the process of seeking a literary agent to represent me.