The winners of the Pulitzer Prize were announced this week. The prize for poetry goes to Tyehimba Jess for the book, Olio. The book is described as astoundingly innovative, combining poems, songs, historical facts, fiction, interviews and tables to create a chorus of compelling voices — all singing praises for the countless African American performers whose contributions to minstrel shows of the late 1800s have been largely undocumented.
The book was published by a small poetry press in Seattle–Wave Books, surprising to many on the book publishing industry. Small presses, or independent presses, as they are often called, make up about half of the book publishing industry market. Many focus on fiction, poetry and nonfiction. Since the profit margin can be thin, small presses can be narrowly focused and driven by other motivations, including reaching niches that mainstream publishers ignore.
Small presses are a potential outlet for novelists and writers of other genres to get published, but they are often overlooked in favor of the big publishers. Writers don’t support small presses as much as they should by purchasing the literature they produce. That’s a shame. I had the opportunity to talk with dozens of editors and publishers at small presses while at the AWP Conference Bookfair in February and seek out publishing opportunities with them.
NewPages.com, a website of literary news and information, has an extensive list of small presses and calls for submission worth checking out.